Issue 1: We Are Redwoods
Issue 1: We Are Redwoods
“But the difference is they dying like a stump.
Me, I’m going down like one of those redwoods.”
read volume one, issue one here.
Writing
Writing
Tell the Coyotes I’m Coming Home
Nikolai Crowder // Poetry
"Tell the Coyotes I'm Coming Home"
The White Alternative Does Not Exist
Tiobista Kidane // Critical Essay
"The White Alternative Does Not Exist"
Diet Black People: How Black Film Classics Highlight Misogynoir
Trinity Giddings // Critical Essay
"Diet Black People: How Black Film Classics Highlight Misogynoir"
A Guide to Prepare the Mind for Moonlight
Denice Lovett // Poetry
"A Guide to Prepare the Mind for Moonlight"
Underneath the Propaganda Spell
Jemeema Victoria // Poetry
"Underneath the Propaganda Spell"
visual arts
visual arts
AT THE CRACK OF DAWN II
| Oil paint, Gold Leaf, and Threat on Canvas | 40" x 40" | 2024
Suni Mullen // MAXX FREEMAN
☆
Suni Mullen // MAXX FREEMAN ☆
Ephemera
| Photography
Amani Speller
☆
Amani Speller ☆
| Would You Protect This Palestinian?
| Photography Series
Julie Lee
☆
Julie Lee ☆
|Through Her Eyes
| Ink on Bristol board | 19’’ x 24’’ | 2024
Mattias Christian
☆
Mattias Christian ☆
| ya’ll wanna paint?
| Acrylic on primed canvas
nakoma madyun
☆
nakoma madyun ☆
editors' note
editors' note
Vol. 1 issue 1: WE are redwoods
We Are Redwoods seemed like the perfect title for our very first issue at The Redwood Review….
Morrison brilliantly examines the politics of insubordination in the name of liberation. Through contrasting attitudes towards the Bottom’s infamous Sula Peace, readers question what it means to be either disparaged or commemorated by those who fabricate the definitions of conventionality and morality.
A literary giant and acclaimed genius, Morrison’s searing legacy laid the path for the long lineage of Black female writers and their commentary on socio-political affairs. In a world where men are not the primary purpose, her novels defy the customary tradition that it is an inescapable tragedy to craft a story in the absence of men.
Inventive for the 1970s ‘United States,’ Sula proves to be a relevant, scintillating story of Black female defiance and power, engaging contemporary readers in continued conversations about ostracized and berated racialized identities.
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We want to hear all the deeply audacious, subversive methods you willingly choose to live your years on earth. Like Sula fearlessly said,
“But the difference is they dying like a stump.
Me, I’m going down like one of those redwoods.”